Among his fondest early musical memories, Makoto Kawabata cites transmissions from NHK Radio of Stockhausen. Of particular interest were the frequencies Stockhausen tended toward, which Kawabata likens to a long-lasting ringing in his own ears since childhood. This small part of his history certainly softens the blow of Musique Cosmique Electro-Acoustique, a zap and splat heavy affair that calls to mind Acid Mothers Temple stripped of everything but the ultra cosmic synth work. Except there are no synths to be found here: the sounds were all conjured by direct contact with effects pedal circuitry.
Musique Cosmique Electro-Acoustique
No comments:
Post a Comment