At the beginning of the decade, Kasper T. Toeplitz approached Eliane Radigue in hopes that she would write an instrumental piece for him to perform live. Though this breaks somewhat from Radigue's usual mode as a composer, she accepted and presented Elemental II to him in 2003. Toeplitz performs the piece here on an electric upright bass routed directly into a Max/MSP patch. Though the shape of the piece to a degree lacks Radigue's overall careful and delicate touch, the subtle ebb and flow here is very much of Radigue's design, as is the opening subsonic rumble. Being unfamiliar with Toeplitz's previous work, it is difficult to determine how of his own musical vocabulary is present here, particularly with the degree to which processing has augmented his instrument.
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