The House Was Quiet And The World Was Calm is the first of several collaborations between Roden and LaBelle that include another cd and co-editing the excellent sound art anthology
Site of Sound. The album, released by the lost but not forgotten Meme label, is among the strongest either has been involved in, and very much a synergistic merging of their aesthetics. These in studio improvisations are culled from indoor sounds that Roden procured and outdoor sounds that LaBelle sought on hands and knees. LaBelle's contributions are entomologically inclined, capturing the minutiae of water bugs, spiders, and ants in macro-amplified glory. Roden coaxes waves from a variety of ways, gently scraping the insides of a bowl, steadily tapping a small gong. This merging of inside and out then is in perfect keeping with the album's title, sharing its name with the following poem by Wallace Stevens:
The House Was Quiet and the World Was Calm
The house was quiet and the world was calm.
The reader became the book; and summer night
Was like the conscious being of the book.
The house was quiet and the world was calm.
The words were spoken as if there was no book,
Except that the reader leaned above the page,
Wanted to lean, wanted much most to be
The scholar to whom the book is true, to whom
The summer night is like a perfection of thought.
The house was quiet because it had to be.
The quiet was part of the meaning, part of the mind:
The access of perfection to the page.
And the world was calm. The truth in a calm world,
In which there is no other meaning, itself
Is calm, itself is summer and night, itself
Is the reader leaning late and reading there.
-- Wallace Stevens
The House Was Quiet And The World Was Calm
No comments:
Post a Comment